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Marek Hlasko's literary autobiography is a vivid, first-hand account of the life of a young writer in 1950s Poland and a fascinating portrait of the ultimately short-lived rebel generation. Told in a voice suffused with grit and morbid humor, Hlasko's memoir was a classic of its time. In it he recounts his adventures and misadventures, moving swiftly from one tale to the next. Like many writers of his time, Hlasko also worked in screen writing, and his memoir provides a glimpse into just how markedly the medium of film affected him from his very earliest writing days.The memoir details his relationships with such giants of Polish culture as the filmmaker Roman Polanski and the novelist Jerzy Andrzejewski. Hlasko is the most prominent example of a writer who broke free from the Socialist-Realist formulae that dominated the literary scene in Poland since it fell under the influence of the Soviets. He made his literary debut in 1956 and immediately became a poster boy for Polish Literature. He subsequently worked at some of the most important newspapers and magazines for intellectual life in Warsaw.Hlasko was sent to Paris on an official mission in 1958, but when he published in an �migr� Parisian press his novel of life in post-War Poland, he was denied a renewal of his passport. In effect, he was called back to Poland, and when he refused to return he was stripped of his Polish citizenship. He spent the rest of his life working in exile. Marek Hlasko was a rebel whose writing and iconoclastic way of life became an inspiration to those of his generation and after. Here, in the first English translation of his literary memoir, Ross Ufberg deftly renders Hlasko’s wry and passionate voice.
- Sales Rank: #2461844 in Books
- Published on: 2013-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.70" h x .70" w x 5.40" l, .66 pounds
- Binding: Paperback
- 232 pages
Review
"A self-taught writer with an uncanny gift for narrative and dialogue...[Hlasko was] a born rebel and troublemaker of immense charm."
–Roman Polanski, in Roman
“Ross Ufberg renders Hlasko’s direct, often street-smart language—with its sometimes angry and sometimes lyrical tone—with dexterity and grace. His translation has the energy and ‘flow’ of the original and is highly readable.”
—Jaroslaw Anders, author of Between Fire and Sleep: Sketches on Modern Polish Poetry and Prose
About the Author
Ross Ufberg is the translator and editor, with Yakov Klots, of Memoir of a Gulag Actress, by Tamara Petkevich. He is a Ph.D. Candidate in the Slavic Languages and Literatures Department at Columbia University. He is cofounder of New Vessel Press. � Foreword author�Jaroslaw Anders has written for The New Republic, The New York Review of Books, and other publications, and is the author of Between Fire and Sleep: Sketches on Modern Polish Poetry and Prose. He has translated several books from English into Polish and from Polish into English.
Most helpful customer reviews
2 of 3 people found the following review helpful.
Fascinating glimpse of Poland in the fifties
By Kindle Customer
This book will be primarily of interest to three groups of readers: 1) people who have read Hlasko's novels, especially those that have been translated into English; 2) historians interested in the post-Stalinist period in East Central Europe; 3) Slavicists, especially Polonists. For those readers, this is a great book; its only flaws are its lack of an index and the fact that in the ebook the terms in the glossary aren't hyperlinked.
0 of 2 people found the following review helpful.
Rough and not too interesting
By No drums no bugles
This book is Hlasko’s partial autobiography. Born in 1932 in Poland, he grew up in the terror and devastation of World War II and came of age in Communist Poland as designed and enforced by Stalin and his local minions. Highly sensitive and high strung, he was a born rebel, literary and artistic, and seemingly incapable of thriving in Poland of the 1950s, instead eking out an existence even as he gained some recognition for his early writings.
This book is very rough and not too interesting; it does not compare with the works of Milosz or Kosinski whom Hlasko refers to in the text. It seems his life was poisoned by the evil of the times that he grew up and lived in as a young man. He simply could not overcome this and go on to a fuller life.
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